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A color photo of a strip of 16mm film. Each frame displays the black and white title card to Ernst Lubitsch's Design for Living.

Design for Living

Over 90 years before Challengers, cinema audiences were treated to one of the more elegant and humane portraits of polyamory to ever grace the big screen. PSI favorite Ernst Lubitsch returns with another of his classics, Design for Living, presented from a 16mm print courtesy of our friends at Kinonik in Portland, Maine! Criterion writes, […]

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A Mother Apart

A Mother Apart is a new documentary by filmmaker Laurie Townshend. It is a radical re-imagining of family and motherhood, chronicling the international quest of award-winning Jamaican poet, author, and performance artist Staceyann Chin to find and forge a healing relationship with the mother who abandoned her in her youth. Carnegie Museum of Art will

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A color film still of a man lying on his side on a rocky green hillside, looking forlornly down at the grass. A camcorder sits on the ground just before him. Far in the distance behind him, a bulldozer drives down the hill.

No Other Land

Pittsburgh Sound + Image is proud to present NO OTHER LAND, a 2025 Academy Award nominee for Best Documentary Feature. Basel Adra, a young Palestinian activist from Masafer Yatta, has been fighting his community’s mass expulsion by the Israeli occupation since childhood. Basel documents the gradual erasure of Masafer Yatta, as soldiers destroy the homes

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A black and white film still of four Black children pressed together on a city street, posing for the camera.

We Are Universal at MoMA

“We Are Universal is a 1971 documentary short, directed by the prolific filmmaker and activist Billy Jackson (Didn’t We Ramble On), that surveys African American arts and culture, drawing inspiration from the “Black Is Beautiful” movement. It features onscreen commentary from such prominent figures as Jesse Jackson, Quincy Jones, Nikki Giovanni, Babatunde Olatunji, Hugh Masekela, and

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Total Mobile Home microCINEMA

Rebecca Barten and David Sherman, experimental filmmakers and accidental neologists, coined the term “microcinema” in 1994 in order to re-imagine what a film exhibition space could be. Barten/Sherman join us in-person to present a new, live cine-essay about their influential DIY exhibition space, Total Mobile Home microCINEMA and the extraordinary experimental cinema culture that exploded

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